Alle Episoden

Die erste Neujahrs-Ausgabe, in der ich auf die Highlights des vergangen Jahres zurückblicke. Ich stelle Ergebnisse in Zahlen vor und ich teile meine Vorsätze. Und ich erzähle von meinem Selbstfindungs-Workshop in Gallodoro auf Sizilien.

Was hat Climate Art mit der COP28 zu tun? Was wäre, wenn die Kunstwerke von Climate Art auf der Klimakonferenz ausgestellt werden.

Heute ist Sonntag, der letzte Tag der Ausstellung. Zeit einen Blick in die Ausstellung zu nehmen.

Vom Donnerstag den 23.Nov. bis zum Sonntag den 26.Nov. öffne ich meine Türen zur Ausstellung. In der Episode erzähle ich, wie ich zu dem Projekt gekommen bin und was euch auf der Ausstellung erwartet.

Climate Art is very divers. What is the philosophical view of the art in the gallery? And Climate Art is more then virtual. On 23rd November starts the first exhibition. I tell the story from the beginning of "What is Climater Art" to what it is today.

How it can works to protect the environment and climate by art? I try to explain it. As new artists I introduce Alice Cescatti from London. She draws our attention to issues of climate change and topics of migration. And I introduce the first glass sculptur in the gallery. It comes from Igor Frolov from Montenergro.

What can you listen. Who ist Andrea Robinsion and why she is so active for the environment? I talk about her arctic pictures "The last stand" and "Turn a blind eye". I talk about Alessandro Bazans new picture. At the end you get some news about the funny diving hood of Olga Belka.

Angkor Watt inspires Chris Morin-Eitner. How would be Dubai, Shanghai, New York or Paris overgrown by jungle. His vision is complete opposite of an apocalyptic world. And do you know an underwater painter. Olga Belka is a unique underwater painter. She draws her vision of the underwater kingdom. Two special artists sharing their message.

This is the first episode in English. I introduce you to the new works and artists. The surfers over a glowing city by Alessandro Bazan (Italy). The sad monkey with a McDonald bag of fries by Gabriel Grecco (Brazil) and a special picture by Tom Wollenberg (Germany).
I'll explain to you what's behind the number 195 and what the number has to do with the goals of the Climate Art Gallery.
For a few weeks now, Climate Art has had its own domain called ClimateArtGalery.org. How did the name come about?

Wir sprechen über das Kippenfeld, ein Projekt im öffentlichen Raum von Berlin Charlottenburg. Dem Spannungsfeld zwischen Aktivismus und Kunst und der Weiberwirtschaft in Berlin.